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ENGL3007 2028-29
Holocaust Literature
How has the Holocaust been represented? We will examine a range of responses to the Holocaust from the 1940s to the present day, including memoirs of camp survivors and experimental texts. Focusing on the limits of representation we will approach questions concerning memory, trauma and the aestheticization of horror through testimony, fiction, poetry and film. -
ENGL3007 2029-30
Holocaust Literature
How has the Holocaust been represented? We will examine a range of responses to the Holocaust from the 1940s to the present day, including memoirs of camp survivors and experimental texts. Focusing on the limits of representation we will approach questions concerning memory, trauma and the aestheticization of horror through testimony, fiction, poetry and film. -
ENGL3007 2027-28
Holocaust Literature
How has the Holocaust been represented? We will examine a range of responses to the Holocaust from the 1940s to the present day, including memoirs of camp survivors and experimental texts. Focusing on the limits of representation we will approach questions concerning memory, trauma and the aestheticization of horror through testimony, fiction, poetry and film. -
HIST6152 2026-27
Holocaust Studies Dissertation
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HIST6152 2025-26
Holocaust Studies Dissertation
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LAWS2065 2027-28
Homelessness Law and Policy
This module introduces students to the legal framework governing homelessness and examines how homelessness has been defined and regulated over time. It combines doctrinal analysis of legislation and case law with socio‑legal perspectives drawn from housing studies and critical theory.
The module also considers international perspectives on homelessness and relevant human rights frameworks, situating the legal framework within its wider social and policy context through a socio‑legal approach. -
MATH6137 2028-29
Homotopy and Homology
Homotopy theory is the study of continuous deformations. A geometric object may be continuously deformed by pulling, stretching, pressing or compressing, but not by tearing or puncturing (which are discontinuous). Two objects can then be regarded as equivalent if one can be continuously deformed into the other and vice-versa. The goal of homotopy theory is to determine which geometric objects are equivalent in this sense, or not. To do this, methods are needed which assign algebraic information to these geometric objects which are invariant (stay the same) under continuous deformations. Examples consider in the module are homotopy groups and homology groups. -
MATH6137 2029-30
Homotopy and Homology
Homotopy theory is the study of continuous deformations. A geometric object may be continuously deformed by pulling, stretching, pressing or compressing, but not by tearing or puncturing (which are discontinuous). Two objects can then be regarded as equivalent if one can be continuously deformed into the other and vice-versa. The goal of homotopy theory is to determine which geometric objects are equivalent in this sense, or not. To do this, methods are needed which assign algebraic information to these geometric objects which are invariant (stay the same) under continuous deformations. Examples consider in the module are homotopy groups and homology groups. -
FILM3024 2028-29
Horror on Film
Horror films have been one of the most consistent areas of cinema throughout its history. Despite horror quickly establishing itself in films, it was not until the 1930s and Hollywood's studio system that it became standardized as a genre with a repertoire of icons, themes and production techniques. There has been a constant drive for renewal and reinvention of the horror film in the face of perennial audience popularity. This module will deal with the breadth of the horror genre, looking at subgenres and historical developments as well as dealing with distinctive approaches to the horror film across the world. Topics will include German Expressionist films and the Gothic output of Hammer studios, while issues will include gender and the 'Final Girl' so common in slasher films, as well as representing 'the monstrous'. The variations of issue and film addressed by this module will enable you to gain a deeper understanding of the horror film as a complex of varied discourses and artistic currents rather than simply seeing the film as a moment of horrifying affect. -
FILM3024 2027-28
Horror on Film
Horror films have been one of the most consistent areas of cinema throughout its history. Despite horror quickly establishing itself in films, it was not until the 1930s and Hollywood's studio system that it became standardized as a genre with a repertoire of icons, themes and production techniques. There has been a constant drive for renewal and reinvention of the horror film in the face of perennial audience popularity. This module will deal with the breadth of the horror genre, looking at subgenres and historical developments as well as dealing with distinctive approaches to the horror film across the world. Topics will include German Expressionist films and the Gothic output of Hammer studios, while issues will include gender and the 'Final Girl' so common in slasher films, as well as representing 'the monstrous'. The variations of issue and film addressed by this module will enable you to gain a deeper understanding of the horror film as a complex of varied discourses and artistic currents rather than simply seeing the film as a moment of horrifying affect.